Sunday, February 26, 2012

Meetup at the MFA

Saturday at the MFA... a wonderful way to spend the afternoon !

I arrived at the museum at 11:00 and met several Meetup friends from past gatherings and outings. I could tell it was going to be a busy day. Once organized we went about our way enjoying the variety of the galleries new and old.

Actually the group I was with went ahead and I found myself at the information desk where I became a member of the MFA, now I can go back anytime for free!   It looks like I'll have to go back often considering the over 450,000 works of art !
The museum was founded in 1870 and its current location dates to 1909. In addition to its curatorial undertakings, the museum is affiliated with an academy, the School of the Museum of Fine Arts, and a sister museum, the Nagoya/Boston Museum of Fine Arts, in Nagoya, Japan.
See what interesting information you can learn at the  information desk!


The museum was founded in 1870 and opened in 1876, with a large portion of its collection taken from the Boston Anthenaeum Art Gallery.  It was originally located in a highly ornamented brick Gothic Revival building located on Copley Square in the Back Bay neighborhood of Boston.  The museum moved to its current building in 1909 on Huntington Avenue, Boston's "avenue of the Arts".



World-renowned pieces by Rembrandt, Van Gogh, Gauguin, and Renoir, as well as the finest group of Monets outside of Paris share space with ...


 ... mummies, sculpture, ceramics, and gold from ancient Egypt.









A wealth of art produced in North, Central, and South America is displayed in the four spectacular floors of the new Art of the Americas Wing.

Dramatic displays allow you to enjoy paintings, sculptures, furniture, decorative arts, and fashion in the context and era of their origin.
The ancient treasures and delicate wonders of Asian art are unrivaled in size, scope, and distinction, and the serenity of the Japanese Buddhist Temple Room provides a welcome respite for those who seek it.


Nearby, contemporary art offers new perspectives, encouraging you to make connections between art of the past and art of today.


The Museum of Fine Arts, Boston is one of the most comprehensive art museums in the world. Visitors can experience a collection that speaks to the breadth, richness, and diversity of artistic expression from prehistoric times to the modern day

BSO & Tanglewood Festival Chorus

Friday, February 24th --> an evening of fun at the Symphony!


 Thank you David, Stephen and Jack for inviting me along to enjoy this fantastic musical adventure at the BSO.  The performance was spectacular ! Meeting some of you 'symphony friends' an added treat. Best of luck with you future performances in NYC .
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Our evening began with dinner at  Pan Thai Restaurant, a local restaurant close to Symphony Hall.
     This is a dependable, if uninspiring choice so close to Symphony Hall, you can practically hear the music. It is perfect for pre-concert dining and has all the old reliable dishes.  The Dinner combo menu is a real bargain and there is even a bigger bargain student menu. Beats everything else in the area. Service was fast and very friendly. They accommodated special requests without batting an eyelash.
Pan Thai -14 Westland Ave Boston MA  
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The evening continued on to Symphony Hall where we experienced a spectacular performance performed by the Boston Symphony Orchestra and the Tanglewood Festival Chorus, John Oliver, Conductor. 


Also performing in this evenings performance were Chirstine Brewer, Soprano, Michelle Deyoung, Mezz-Soprano, Simon O'Neill, Tenor and Eric Owens, Bass-Baritone.

And the program began...

Beethoven

"From the heart -- may it go to the heart"

"MISSA SOLEMNIS" IN D, OPUS 123

KYRIE:
Assai sostenuto (Mit Andacht) - Andante assai ben marcato - Tempo I

GLORIA:
 Allegro vivace - Larghetto - Allegro maestoso - Allegro ma non troppo e ben marcato -  Poco piu allegro - Presto

CREDO:
Allegro ma non troppo - Adagio --Andante - Adagio espressivo - Allegro - Allegro con moto - Grave 

SANCTUS:
Adagio (Mit Andacht) Allegro pesante - Presto - Praeludium: Sostenuto ma non tropo - Andante molto cantabile e non troppo mosso

AGNUS DEI:
Adagio - Allegretto vivace (Bitte um inner und aussern Frieden) - Allegro assai - Presto - Tempo l

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The Program in Brief...

"The Missa Solemnis is one of the most significant works by one of the greatest of all composers.  Among the major 19th-century works for soloists, chorus, and orchestra, it stands as a pinnacle of the repertoire alongside Berlioz's Requiem, Brahms's A German Requiem, and Verdi's Requiem, all of which represent specifically personal responses by their composters to sacred texts.
Beethoven's exceedingly personal response to the Mass text is reflected in countless aspects of his setting: through his brilliantly varied use of soloists, chorus, and orchestra to heighten the sense of the words on levels both communal and individual, through the enormous variety of musical textures and dynamics from beginning to end of the piece."
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The Chorus performed wonderfully, they produced

 the strength, unity, and expressive intensity

 needed to cope with Beethoven's treacherous

 choral writing and make it sound improbably

 beautiful.  All four of the vocal soloists sang

 powerfully.
  


Wednesday, February 22, 2012

Boston Symphony Orchestra

Another evening out in Boston with friends !
Thanks David, Stephen, and Jack for inviting me along.
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As is always the case
our evening started with a Delicious dinner in the south end.
We met up at
ANCHOVIES
433 Columbus Ave.
Located in Boston's Historic South End, Anchovies is an eclectic neighborhood favorite that is hard to forget. Featuring an extensive menu, late hours, and arguably the best bar around, it's a great place to gather after work, for a casual dinner, meeting friends out ... Anchovies is for all of that and more.
 
Boston Magazine's Best of Boston 2010
While many local restaurants have adopted upscale comfort food of late, Anchovies has always been both low-key and low-priced. Neighbors inhale the giant plates of pasta and hearty pizzas, along with their infamous "Italian nachos." It's easy to get in and out for just $20 bucks a person (including a martini), making it a true weeknight joint.
My selection from the varied menu items this evening was a delicious :
Penne with Shrimp
Served in a puttanesca sauce of tomato, olives, capers, or anchovies
  * ANCHOVIES *
A very affordable Italian comfort food in casual atmoshere served until 1:30 AM every day.
...and yes folks I did have a martini !  ENJOY !



This evenings performance ....
Marcelo Lehninger
*
MAURICE  RAVEL
"MOTHER GOOSE" SUITE
Pavane of the Sleeing Beauty
Tom Thumb
Laideronette, Emress of the agodas
Conversations of Beauty and the Beast
The Rairy Garden
*
 Ravel established himself first as an enfant terrible; by the time he wrote his Mother Goose Suite he was an influential and mature composer, his reputation based largely on his works for solo piano. His five-movement Mother Goose Suite, originally a piano duet written for the young children of close friends, depicts scenes from French fairy tales, including Sleeping Beauty, Tom Thumb, and Beauty and the Beast. Ravel orchestrated the suite when he expanded the score for a 1912 ballet production.  
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IGOR  STRAVINSKY
CONCERT FOR PIANO AND WINDS
Largo -- Allegro
Largo
Allegro
Stravinsky used the piano as the starting point for much of his compositional thinking.  In the early 1920s, for practical reasons, he began putting himself forward as a soloist, as a direct result of which he wrote the Concerto for Piano and Winds, his first major solo vehicle for himself. One of the first and most important examples of Stravinsky's neo-classical style, the Piano Concerto is in three movements, its piano writing crisp and brilliant with a sharp and syncopated rhythmic language influenced not only by Bach and Handel but also by jazz and ragtime.  Stravinsky's use of an orchestra of winds and double basses creates a striking and austere sound world.  
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DMITRI   SHOSTAKOVICH
SYMPHONY NO. 5 IN D MINOR, OPUS 47
Moderato
Allegretto
Largo
Allegro non troppo
*
Dmitri Shostakovich made a name for himself with his Symphony No. 1 at age nineteen and within just a few years had created  a startlingly mature and diverse body of work, including the very successful opera Lady Macbeth of the Mtsensk District.  In 1936 a high-profile condemnation of this opera was published in the state newspaper Pravda, leading the composer to abandon his Fourth Symphony in the midst of rehearsals for it's premiere.  He turned instead to a triumphant new work, the powerful and dramatic Fifth,  completed quickly in spring 1937 and destined for both official acceptance and long-lasting public success.
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The Program in Brief...
Maurice Ravel and the Russian-born Igor Stravinsky became close colleagues in the second decade of the 1900s, when both came into the orbit of Diaghilev's Ballets Russes and helped define Paris as the world's center of musical innovations for more than two decades before and after World War I  Dmitri Shostakovic, a generation younger than Stravinsky and Ravel, emerged as the most significant composer working in the Soviet Union in the 1930s.

Boston Symphony Orchestra 
BEST show in town!
  



Saturday, February 11, 2012

Beethoven , Rachmaninoff, and ME

BOSTON  SYMPHONY  ORCHESTRA
131st season,
2011-2012
.
But first, dinner !


The start of an enjoyable evening in Boston began with dinner at
THE
 CHATEAU
(Italian Family Dining since 1933) 
535 John Mahar Hwy.
Braintree, MA
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The evening continued on to Symphony Hall, Boston:
This evenings performance with the
 Boston Symphony Orchestra included works by
Beethoven    &  Rachmaninoff
JAAP VAN ZWEDEN conducting
BEETHOVEN:
PIANO CONCERTO NO. 2 IN B-FLAT, POUS 19
Allegro con brio
Adagio
Rondo: Molto allegro
EMANUEL AX
Ludwwig van Beethoven was baptized in Bonn, Germany, on December 17, 1770, and died in Vienna on March 26th, 1827. 
His Piano Concert No. 2 had its origins in 1790, in Bonn and was finished in 1798
The first American performance of Beethoven's piano concerto No.2 was given by the Brooklyn Philharmonic on January 21,1865, with Theodor Eisfeld conducting.   B.J. Lang gave the first Boston performance at a Harvard Musical Association concert under the direction of Carl Zerrahan on February 1, 1867.  The first Boston symphony performance of Beethoven's B-Flat Piano concerto was a single performance on February 17, 1948, in New Haven, with soloist Bruce Simonds.
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RACHMANINOFF:
SYMPHONY NO. 2 IN E MINOR, OPUS 27
Largo ---- Allegro moderato
Allegro molto
Adagio
Allegro vivace

Sergei Rachmaninoff was born in Semyonovo, district of Starorusky, Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28th 1943.
He composed his Symphony No. 2 between October 1906 and April 1907, completing the orchestration in January 1908.  The symphony was performed for the first time on January 26, 1908, is St. Petersburg, with Rachmaninoff conduction.
Of all of Rachmaninoff's works for orchestra, the Symphony No. 2 has always been one of the most popular with audiences. This large, lengthy, and unabashedly late Romantic symphony, overflowing wit memorable tunes and an ineffable sense of bittersweet nostalgia, was written relatively quickly and easily, between late 1906 and early 1908. 
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A brief History of the BSO

Now in its 131st season, the Boston Symphony Orchestra gave its inaugural concert in 1881, realizing the dream of founder Henry Lee Higginson, who envisioned a great and permanent orchestra in his hometown.  Today the BSO reaches millions through radio, television, recordings, and tours.  It commissions works from today’s most important composers; it helps develop future audiences through BOS Youth Concerts and programs involving the Boston community; and, during the Tanglewood season, it sponsors the Tanglewood Music Center, one of the most important training grounds for young professional-caliber musicians.  The Boston Symphony Chamber Players, made up of BSO principals, is known world-wide, and the Boston Pops Orchestra sets an international standard for performances of lighter music. 
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                                                                                                                                                                                           Not just great music…
On Display in symphony Hall, this season’s BSO Archives exhibit, located throughout the orchestra and first-balcony levels of the building, displays the breadth and depth of the Archives’ holdings, which documents countless facets of the orchestra’s history --- music directors, players and instrument sections, and composers, as well as the world-famous acoustics, architectural features, and multi-faceted history of Symphony Hall.
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Some little known facts :
In 1915 the orchestra made its first transcontinental trip, playing thirteen concerts at the  Panama-Pacific International Exposition in San Francisco. 
In 1929 free Esplanade concerts were inaugurated by Arthur Fiedler, a member of the orchestra since 1915 and who in 1930 became eighteenth conductor of the Boston Pops. 

Fiedler  was Pops conductor for half a century, being followed by John Williams in 1980 and Keith Lockhart in 1995.
1936 Koussevitzky led the orchestra’s first concerts in the Berkshires.  A year later, he and the players took up annual summer residence at Tanglewood.
The first American-born conductor to hold the position, James Levine was the BSO’s music director form 2004 to 2011.
James Levine  taught at Tanglewood Music Center, and in summer of 2007 led the BSO in an acclaimed tour of European music festivals. 
Make Symphony Hall your next destination  for a GREAT Boston experience !